Documentary in the digital shift: a voice for a world in transformation = El documental en la era digital: una voz para un mundo en tranformación
In this paper the subject of documentary in digital times is studied in three chapters that aim to explore these main different angles: 1. The angle of documentary production, with the revision of some study cases; 2. The angle of the main supporting and funding agencies – European centred- that all...
|Formato:||Trabajo de grado (Bachelor Thesis)|
Activismo documental; Cambio tecnológico; Cine digital; Digital filmaking; Distribución en linea; Documentary; Documentary activism; Documental; Exhibición; Film exhibition; Film industry; Industria cinematográfica; Online distribution; Technological shift
|Acceso en línea:||http://babel.banrepcultural.org/cdm/ref/collection/p17054coll23/id/367|
|Sumario:||In this paper the subject of documentary in digital times is studied in three chapters that aim to explore these main different angles: 1. The angle of documentary production, with the revision of some study cases; 2. The angle of the main supporting and funding agencies – European centred- that allow creators to fund their projects and; 3. The angle of the exhibition and distribution system, that´s been transformed today by the multiple online distribution platforms.
The first chapter develops an overview of the film industry and the documentary box office in the UK and then takes a look on the access to audio-visual technology and the way this influences professional creators and amateurs today. The attempt is to link the ease of use of technology with contents that make the documentaries meaningful in current times, by using some examples that relate documentary to activism, art, politics and education.
The second chapter focuses on the revision of three main funding sources –MEDIA at the European level and the British Film Institute and BRITDOC at the British level- which influence the dynamics of documentary filmmaking today enabling resources to be delivered under specific frameworks and supporting the development of connections with stakeholders that become partners and allies of the documentaries with common grounds of work, particular contexts and themes.
The third chapter takes a closer look on the exhibition and distribution business structure and platforms to find a universe of possibilities where the future of audio-visual narratives still to be defined, but where certainly documentary has found a way to reach audiences and stand as a powerful medium of transformation.|