Artists and discursive identities. El Gran Telón, what the art critics said about Luis Caballero and what he said about himself

In this article I present an analysis of the discursive productions that circulated around the artwork El gran telón (1990) by the Colombian artist Luis Caballero, using primarily the three-layered method of discourse analysis originally proposed by the theorist Norman Fairclough.With this text, I h...

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Autor Principal: Rodríguez, Sergio
Formato: Artículo (Article)
Lenguaje:Español (Spanish)
Publicado: Universidad Santo Tomás, Bogotá-Colombia 2015
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id ir-11634-7055
recordtype dspace
spelling ir-11634-70552019-09-16T16:54:26Z Artists and discursive identities. El Gran Telón, what the art critics said about Luis Caballero and what he said about himself Artistas e identidades discursivas. El gran telón, el Luis Caballero de la crítica y el Caballero de Caballero Artistas e identidades discursivas. El gran telón, o Luis Caballero da crítica e o Caballero de Caballero Rodríguez, Sergio Luis Caballero; discourse analysis; art criticism; identity Luis Caballero; análisis del discurso; crítica de arte; identidad Luis Caballero; análise do discurso; crítica de arte; identidade In this article I present an analysis of the discursive productions that circulated around the artwork El gran telón (1990) by the Colombian artist Luis Caballero, using primarily the three-layered method of discourse analysis originally proposed by the theorist Norman Fairclough.With this text, I have the purpose to delimitate the differences of identification and representation that were produced by the art critics of the time and by the artist himself about his own artwork. Besides, in a broader sense, I try to exemplify the way in that art criticism gets integrated in a social system in reciprocal influence. En este artículo presento un análisis de las producciones discursivas que circularon alrededor de la obra El gran telón (1990) del artista Luis Caballero, utilizando principalmente el método de análisis del discurso en tres capas propuesto por el teórico Norman Fairclough. Esto con el fin de delimitar las diferencias de identificación y representación que se produjeron entre la crítica de arte de la época y el propio artista sobre su obra. Además, en un sentido más amplio, busco ejemplificar la manera como la crítica de arte se integra a un sistema social en una influencia recíproca. Neste artigo apresento uma análise das produções discursivas sobre a obra El gran telón (1990) do artista Luis Caballero, utilizando principalmente o método de análise do discurso em três capas proposto por o teórico Norman Fairclough. Com o objetivo de delimitar as diferenças de identificação e representação que se produziram entre a crítica de arte da época e o próprio artista sobre sua obra. Além disso, num sentido mais amplo, procuro exemplificar a forma como a crítica de arte integra-se num sistema social numa influencia recíproca. 2015-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://revistas.usantotomas.edu.co/index.php/hallazgos/article/view/2153 10.15332/s1794-3841.2015.0024.01 spa https://revistas.usantotomas.edu.co/index.php/hallazgos/article/view/2153/2270 https://revistas.usantotomas.edu.co/index.php/hallazgos/article/view/2153/Artistas%20e%20identidades%20discursivas.%20El%20gran%20tel%C3%B3n%2C%20el%20Luis%20Caballero%20de%20la%20cr%C3%ADtica%20y%20el%20Caballero%20de%20Caballero Copyright (c) 2015 Hallazgos http://creativecommons.org/licenses/by-nc-nd/4.0 application/pdf text/html Universidad Santo Tomás, Bogotá-Colombia Hallazgos; Vol. 12, Núm. 24 (2015); 19-30 2422-409X 1794-3841 Hallazgos; Vol. 12, Núm. 24 (2015); 19-30
institution Universidad Santo Tomas
collection DSpace
language Español (Spanish)
topic Luis Caballero; discourse analysis; art criticism; identity
Luis Caballero; análisis del discurso; crítica de arte; identidad
Luis Caballero; análise do discurso; crítica de arte; identidade
spellingShingle Luis Caballero; discourse analysis; art criticism; identity
Luis Caballero; análisis del discurso; crítica de arte; identidad
Luis Caballero; análise do discurso; crítica de arte; identidade
Rodríguez, Sergio
Artists and discursive identities. El Gran Telón, what the art critics said about Luis Caballero and what he said about himself
description In this article I present an analysis of the discursive productions that circulated around the artwork El gran telón (1990) by the Colombian artist Luis Caballero, using primarily the three-layered method of discourse analysis originally proposed by the theorist Norman Fairclough.With this text, I have the purpose to delimitate the differences of identification and representation that were produced by the art critics of the time and by the artist himself about his own artwork. Besides, in a broader sense, I try to exemplify the way in that art criticism gets integrated in a social system in reciprocal influence.
format Artículo (Article)
author Rodríguez, Sergio
author_facet Rodríguez, Sergio
author_sort Rodríguez, Sergio
title Artists and discursive identities. El Gran Telón, what the art critics said about Luis Caballero and what he said about himself
title_short Artists and discursive identities. El Gran Telón, what the art critics said about Luis Caballero and what he said about himself
title_full Artists and discursive identities. El Gran Telón, what the art critics said about Luis Caballero and what he said about himself
title_fullStr Artists and discursive identities. El Gran Telón, what the art critics said about Luis Caballero and what he said about himself
title_full_unstemmed Artists and discursive identities. El Gran Telón, what the art critics said about Luis Caballero and what he said about himself
title_sort artists and discursive identities. el gran telón, what the art critics said about luis caballero and what he said about himself
publisher Universidad Santo Tomás, Bogotá-Colombia
publishDate 2015
_version_ 1712104780684328960
score 12,111491