The “Grabados populares” of Álvaro Barrios and Their Relationship With Marcel Duchamp’s Readymades
This essay addresses the collection of print series of Álvaro Barrios “Grabados populares” in order to establish their origins, development and contributions to the history of Colombian engraving. We will take a tour through some of the better-known series to define the concept of “grabado popular”,...
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| Formato: | Artículo (Article) |
| Lenguaje: | Español (Spanish) |
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Universidad Distrital Francisco José de Caldas
2019
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| Acceso en línea: | http://hdl.handle.net/11349/24197 |