Account of life and analysis of a visual artist work, son of a political ex-convict at chilean civic-military dictatorship

The artwork of Mario Navarro, who is a recognized postdictatorship Chilean visual artist and whose father was a political prisoner at the civic-military dictatorship, is presented in this study. Through a comprehensive exploratory unique case, this piece of work shows the influence of intergeneratio...

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Autor Principal: Toro Contreras, Samuel
Formato: Artículo (Article)
Lenguaje:Español (Spanish)
Publicado: Universidad Distrital Francisco José de Caldas 2016
Materias:
Acceso en línea:http://hdl.handle.net/11349/24099
id ir-11349-24099
recordtype dspace
institution Universidad Distrital Francisco José de Caldas
collection DSpace
language Español (Spanish)
topic Arts
memory
transmission
and psychological trauma.
Arte
memoria
transmisión y trauma psicosocial. Arts
memory
transmission
and psychological trauma
spellingShingle Arts
memory
transmission
and psychological trauma.
Arte
memoria
transmisión y trauma psicosocial. Arts
memory
transmission
and psychological trauma
Toro Contreras, Samuel
Account of life and analysis of a visual artist work, son of a political ex-convict at chilean civic-military dictatorship
description The artwork of Mario Navarro, who is a recognized postdictatorship Chilean visual artist and whose father was a political prisoner at the civic-military dictatorship, is presented in this study. Through a comprehensive exploratory unique case, this piece of work shows the influence of intergenerational transition of memories associated with political violence at the Chilean civicmilitary dictatorship. A life account and art creations made by the artist were used as data production technique, moreover a narrative analysis of these two items and formal observation of the visual pieces of work were also taken into consideration. The main results of the research t Fragmento de la obra: The New Ideal Line Opala: 2002. Fotografía: Constanza Valderrama©, 2002. show that part of the professional life choice and some of the artist’s visual works are considerably influenced by an indirect intergenerational political detention experience the artist’s father
format Artículo (Article)
author Toro Contreras, Samuel
author_facet Toro Contreras, Samuel
author_sort Toro Contreras, Samuel
title Account of life and analysis of a visual artist work, son of a political ex-convict at chilean civic-military dictatorship
title_short Account of life and analysis of a visual artist work, son of a political ex-convict at chilean civic-military dictatorship
title_full Account of life and analysis of a visual artist work, son of a political ex-convict at chilean civic-military dictatorship
title_fullStr Account of life and analysis of a visual artist work, son of a political ex-convict at chilean civic-military dictatorship
title_full_unstemmed Account of life and analysis of a visual artist work, son of a political ex-convict at chilean civic-military dictatorship
title_sort account of life and analysis of a visual artist work, son of a political ex-convict at chilean civic-military dictatorship
publisher Universidad Distrital Francisco José de Caldas
publishDate 2016
url http://hdl.handle.net/11349/24099
_version_ 1712444244731363328
spelling ir-11349-240992020-06-04T21:44:21Z Account of life and analysis of a visual artist work, son of a political ex-convict at chilean civic-military dictatorship Relato de vida y análisis de la obra de un artista visual, hijo de ex presidiario político de la dictadura cívico-militar chilena Toro Contreras, Samuel Arts memory transmission and psychological trauma. Arte memoria transmisión y trauma psicosocial. Arts memory transmission and psychological trauma The artwork of Mario Navarro, who is a recognized postdictatorship Chilean visual artist and whose father was a political prisoner at the civic-military dictatorship, is presented in this study. Through a comprehensive exploratory unique case, this piece of work shows the influence of intergenerational transition of memories associated with political violence at the Chilean civicmilitary dictatorship. A life account and art creations made by the artist were used as data production technique, moreover a narrative analysis of these two items and formal observation of the visual pieces of work were also taken into consideration. The main results of the research t Fragmento de la obra: The New Ideal Line Opala: 2002. Fotografía: Constanza Valderrama©, 2002. show that part of the professional life choice and some of the artist’s visual works are considerably influenced by an indirect intergenerational political detention experience the artist’s father RELATO DE VIDA Y ANÁLISIS DE LA OBRA DE UN ARTISTA VISUAL, HIJO DE Ex PRESIDIARIO POLíTICO DE LA DICTADURA CíVICO-MILITAR CHILENARESUMEN El planteamiento del presente trabajo mostrará, a través de un diseño exploratorio-comprensivo de caso único, la influencia de la transmisión intergeneracional de memorias asociadas a la violencia política de la dictadura cívico-militar en la obra de un artista de la generación posdictatorial chilena. Mario Navarro, destacado artista visual chileno, hijo de un detenido político en la dictadura, fue el autor de este estudio. Se usó el relato de vida como técnica de producción de datos e imágenes de las obras entregadas por el artista, y se realizó un análisis narrativo de estos y observación formal de las obras visuales. Los principales resultados del estudio indican que parte de la elección de vida profesional y algunos de los resultados de obras visuales del artista contienen influencia intergeneracional indirecta de la experiencia de detención política del padre.PALABRAS CLAVEArte, memoria, transmisión y trauma psicosocial.ACCOUNT OF LIFE AND ANALYSIS OF A VISUAL ARTIST WORK, SON OF A POLITICAL Ex-CONVICT AT CHILEAN CIVIC-MILITARY DICTATORSHIP ABSTRACTThe artwork of Mario Navarro, who is a recognized postdictatorship Chilean visual artist and whose father was a political prisoner at the civic-military dictatorship, is presented in this study. Through a comprehensive exploratory unique case, this piece of work shows the influence of intergenerational transition of memories associated with political violence at the Chilean civicmilitary dictatorship. A life account and art creations made by the artist were used as data production technique, moreover a narrative analysis of these two items and formal observation of the visual pieces of work were also taken into consideration. The main results of the research show that part of the professional life choice and some of the artist’s visual works are considerably influenced by an indirect intergenerational political detention experience the artist’s father had to face.KEY WORDSArts, memory, transmission, and psychological trauma.ÑUGPAMANDA KAUSAIKUNA SUG RUNPA AMBRA KAASKA KAUI RUNA KASKA DICTARUDA KAADUR CHILEMANDAMAILLALLACHISKAKaipi kawachiku imasami kallariskakuna kachingapa, kausai ñugpamanda chasa mailla mailla kallaruku ruraikuna kaachispa allillakuna, chasallata jirú kauai kuna sug runa Mario Navarro suti, rigsiska kawadur Chilepe kausag, pai kami sug runaa wambra llapa iacha paimanda parlaska kawachispa uiachispa neku imasami kaska paipa taita chasallata munaku kawachinga. 2016-10-21 2020-06-04T21:44:21Z 2020-06-04T21:44:21Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares https://revistas.udistrital.edu.co/index.php/c14/article/view/11074 10.14483/udistrital.jour.c14.2016.2.a06 http://hdl.handle.net/11349/24099 spa https://revistas.udistrital.edu.co/index.php/c14/article/view/11074/11918 https://revistas.udistrital.edu.co/index.php/c14/article/view/11074/12328 Derechos de autor 2016 CALLE14: revista de investigación en el campo del arte text/html application/pdf Universidad Distrital Francisco José de Caldas Calle 14 revista de investigación en el campo del arte; Vol. 11 Núm. 19 (2016): El arte del conflicto; 73-85 CALLE14: revista de investigación en el campo del arte; Vol 11 No 19 (2016): El arte del conflicto; 73-85 2145-0706 2011-3757
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