The museum as a representation of cultural conflicts
This article tries to elucidate the manner in which the expository context activates in the spectator the capacity of projecting her own elaborations as the meaning of the works of art. Following Douglas Crimp, it explores the logical principles that are read as the mark of coherence of the museum s...
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Formato: | Artículo (Article) |
Lenguaje: | Español (Spanish) |
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Universidad Distrital Francisco José de Caldas
2011
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Acceso en línea: | http://hdl.handle.net/11349/23970 |