| Sumario: | For artistic studies, artistic creation is a legitimate way of knowing and thinking, that from the particular it constitutes a determinant of the universal. It is thought in a sensitive way, cumulative sensations, which is articulated by logical not necessarily conceptual and Particular "symbolic languages" that are the result of disruptive modes that in their events they escape to regularities, regulations and repetitive methodologies. The artistic creation accounts for historical processes of the communities of the so-called field of art, which have dealt with the construction of an own territory of practices, experiences sensitive, conceptual and existential; a field differentiated from other constituent fields of society and culture, such as science, philosophy or politics. Also, due to the character non-cumulative art, whose deployments are not obsolete the previous settlements other forms of creation, -with their respective poetic, normative and aesthetic - artistic creation subsume a multiplicity of processes that permanently update the ways of doing, the objectual elaboration and the creation of signifiers and meanings; all of them as mediations for the projection of other horizons of meaning for human existence.
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